While researching Taino revivalism and read various sources on "Indian" survival and cultural legacies in the Caribbean after the conquest and demographic collapse, we came across a distant forebear who may have "indio" ancestry. It's impossible to say without confirmation from parochial books of San German and Añasco to recover his lineage, but other data suggest he was, in part, of "Indian" origin (as well as possibly African and/or European ancestry). Born ca. 1750 in Añasco to Martin Galarza and Ana Rivera, Antonio Galarza-Rivera ended up moving around to Toa Alta and, later on, San Lorenzo. According to historian and genealogist Luis Burset-Flores, he appeared in the list of soldiers in the militia list of San Lorenzo in 1811, a few times in the 1820s and possibly died in ca. 1840. Galarza-Rivera was indicated as "pardo" in the documents cited by Burset-Flores, and while residing in Toa Alta, served as a godfather to 2 pardos.
Monday, August 30, 2021
A Possible "Amerindian" Ancestor?
Sunday, August 29, 2021
Bainet and Jacmel in the Early 1700s
1703 Census translated and transcribed by De Ville.
Friday, August 13, 2021
The Housing Lark
Sam Selvon's brief novel The Housing Lark combines his typical comic sensibilities with a serious storyline about the struggle of West Indian migrants to find adequate housing in the racist London of the 1960s. Thematically, the story seems to combine the cynicism and disappointment of the later Moses novels with the humorous and episodic structure of Selvon's Trinidad novels or his famous work, The Lonely Londoners. Written in dialect and comprised of a ballad-like structure which heavily uses Trinidadian vernacular, calypso, and West Indian culture, history, and migrant experience, the novel's happy ending and promise of solidarity among West Indians in London hints at the rise of a "West Indian" identity among Caribbean migrants in the UK. Through their common experience of racialization, discrimination, and cultural differences with the English, one sees a powerful forging of a shared identity through "excursions," rum, Trinidadian and West Indian cuisine, chasing after "birds," and the central role of women in actually seeing to it that the "housing lark" succeeds.
It's a novel for dreamers and reflects the sexist culture of the West Indian male characters like Battersby and Syl, but it's undeniably entertaining, witty, and hopeful. Who could resist laughing after reading the tale of Nobby and his English landlord giving him puppies he does not want? Or the ambiguous Syl, an Indian Trinidadian, who tries to pass as an East Indian to secure housing from a discriminatory landlord? After all, through the dream of Harry Banjo and the pragmatism of Jean, Matilda and Teena, they will find a house of their own. Thus, they will achieve a degree of security, space, and belonging in the "Mother Country" which rejects them. Sure, one can find elements of the pessimism of Selvon's later sequels to The Lonely Londoners, but there is a lot of optimism in this entertaining and immersive tale of 1960s Caribbean London. One wonders what transpired between the mid-1960s and the 1970s to cause Selvon's shift in tone and eventual relocation to Canada...