Arnold Antonin's René Depestre: On ne rate pas une vie éternelle is a fascinating documentary. Perhaps one of his better projects, this one benefits from extensive interview footage with Depestre himself. A compelling speaker and one who has experienced much of the major movements of the post-WWII years, Depestre explains his life and work in the context of literature, politics and exile. Since is nearly 100 years old, each chapter of Depestre's long life receives section of the story, beginning with his Jacmelian childhood. Depestre's adventures in Europe, both in France and behind the Iron Curtain, plus his travels in Latin America and the "Global South" demonstrate his place and contributions to Communist, anti-colonial, and literary movements.
While the film could have benefited from including more interviews with people who know Depestre in Cuba, Haiti and Europe, especially those who could have added another perspective on Depestre's Cuban period, Antonin's documentary includes the testimony and interviews with Haitians like Suzy Castor, Michel Hector, and Pierre Buteau to furnish more historical context or additional perspectives. Antonin seamlessly fuses Depestre's poetry with the film, too, giving the viewer several opportunities to appreciate Depestre's literary work or maybe encounter poems they may not be familiar with. Nonetheless, to better corroborate some of Depestre's claims about, for instance, the Padilla Affair, or to dig deeper into his polemic with Alexis and the intricacies of the Haitian Left's internal conflicts, this documentary would have required interviewing far more people (many of whom are, alas, probably deceased). Without this additional context and other perspectives, we are relying almost entirely on Depestre himself, whose political and personal biases may have occluded or omitted aspects of his political career or activities.
In spite of these problems, it is excellent to hear Depestre's story "straight from the horse's mouth." The struggles of his seamstress mother, his youthful political activities with La Ruche, or the incredibly tense interview with Francois Duvalier are engaging episodes of his life. To think he could have been "domesticated" by the Duvalier regime with an offer of a diplomatic post is frightening, yet illustrates how shrewd and cunning Duvalier was. The unsavory experiences in today's Czech Republic were another early indication of political danger for Depestre whilst Cuba, perhaps the most interesting chapter, is seen as a disappointment after the Padilla Affair. Depestre, however, saw something worthwhile and beautiful in the Cuban Revolution and the way it brought together so many intellectuals, writers, and activists. His quip about Fidel and Che being like Don Quixote was also quite amusing, and perhaps tragically accurate. A biography of Depestre is simply a must.
