Samuel Selvon's I Hear Thunder is a spectacular (and short) novel about life in Trinidad in the 1960s. Told with a great sense of humor and third person narration, the island itself, Port of Spain, and Carnival nearly become characters. The protagonist, Adrian, a Trinidadian male of Indian descent, unhappy with the loose morals and apparent meaningless of party life, is treading a tightrope between the two extremes as his old schoolmate, Mark, returns to the island with a white wife. Class, race, color, sex, migration, and gender are just a few of the themes explored in this deceptively simple novel. The Carnival itself exemplifies this contradiction, and along the way Selvon's detailed depiction of the various races and classes of Trinidad enthrall the reader.
If Selvon and Naipaul had been able to collaborate on Trinidadian short fiction, I suspect it would have been amazing, with Selvon's deeper affection balancing the condescension of Naipaul. Both writers are products of the Indo-Caribbean community, with Selvon resembling Adrian in I Hear Thunder, and they share a similar sense of humor and depth for the island's social landscape and history. Alas, the world shall forever remain ber
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